.

〰️

. 〰️

What if space was sampled through touch rather than colour?

These ceramic tiles borrow the logic of paint swatches but translate it into relief, pressure, and surface memory.
Each piece holds a different condition of space: stacked, layered, named.

This piece was a first of its kind - Auténtico.
A porcelain vessel shaped slowly through touch, stitched together in places where break and repair become part of its voice.
Created with love for @jl_syndikas_art , and the spark behind a whole

I’ll be opening my studio to visitors this weekend as part of Australian Ceramics Open Studios. I’d love to share the space and the work with you.
Saturday & Sunday, 10am–4pm
98 Langridge Street, Collingwood — Level 1

Com

I’ll be opening my studio to the public this coming weekend (8th-9th) as part of Australian Ceramics Open Studios - save the date and come by if you’re curious to see where (and how) my pieces come to life. I’ll be showing both fini

I think of these little attachments as connectors - threads, screws, valves - the hardware becomes part of the language of repair and assembly.

Open Ceramic Studios 8-9 Nov - come by the studio and explore the textures up close.

Close up of my ongoing Fragmentadas series - exploring repair, vulnerability, and transformation through clay

Assisting the wonderful @lindathepotter during her glaze demonstration at WEDGE Ceramic Triennale - Couldn’t be more grateful
#ceramics #glazes #wedge2025

Built from fragments and reassembled layers - each piece remembers the touch that shaped it: a quiet landscape of pressure, folds, and repair.
Porcelain, 2025 – from the “Fragmentadas” series

I’ve been feeling so cold today… calling on warm memories 🌅 NT sunset, 2024

Excited to share that Ganchillo Shelf (and its tiny inhabitants) has been selected as a finalist in the Interior Art Prize 2025 at @weswal_gallery 🐀
On view in Tamworth from 20 Sept – 12 Oct.

Imprinted with handmade crochet, the shelf preserv

Layers upon layers: stitched together through fragments and textures, holding memory and fragility.
#Fragmentadas

I keep coming back to the idea of the body as vessels - fragile but also protective, blooming and spiked all at once #mujeresflorero

I acknowledge the Wurundjeri Woi-wurrung people of the Kulin Nation, the Traditional Custodians of the land on which I live and work. I also acknowledge the Traditional Custodians of the lands across the world from which the materials and knowledge in my practice originate. I recognise their enduring connection to Country, culture, and community, and I pay my respects to Elders past and present.

Email Address

Thank you!